Italian Virginal
For my Italian virginal, I have taken as my model the instrument known as ‘Queen Elizabeth's Virginals', to be found in the Victoria & Albert Museum, London. This instrument is well known as a nicely proportioned, splendidly decorated example of the ubiquitous Italian virginal. Although unsigned and undated, it probably dates from around 1570.

The original instrument is a true inner instrument housed in an outer case. I offer it as illustrated, constructed entirely in cedar or cypress, with a removeable hinged lid, and supported by a simple trestle stand.
The surprisingly robust sound of the Italian virginal lends itself ideally to the earlier repertoire, including the English Virginalists. As a small practise instrument requiring minimal space, together with its easy portability, it makes for a useful ‘first' instrument, or as the choice when space is limited. The ‘practise' aspect of the virginal can be enhanced by the extended compass that can be incorporated.

| Range | Either as the original, short-octave C/E – f3 |
| Or short-octave GG/BB – c3 | |
| Or extended to AA – d3 | |
| All versions can transpose A415-440, or double transpose A415-440-466 |
| Disposition | 1 x 8' |
| Keyboards | Boxwood naturals and arcades, with rosewood or ebony accidentals |
| Decoration | Case constructed entirely in cedar or cypress, with an oiled finish Intricate decorative rose in the soundboard |
| Dimensions | Max length and width 64" x 21" (163 x 54cm) |